Anusha Salhan reflects on Per Capita Media’s PolSoc Question Time event in Michaelmas 2025, introducing a series of reflections by political society chairs on the role of student politics at Cambridge and
Zoë Green reviews the ADC Theatre’s visually striking production of The Orphan of Zhao, where atmospheric staging and committed performances bring an ancient story of loyalty and sacrifice to life.
Giovanni Lacroix argues that the US has moved into a new era of unilateralism, fueled by the defiant and populist rhetoric of the Trump administration. In spite of weakening political ties within the West, Europe remains bound by economic, institutional, and military dependency to the United States and the whims of its government. The online instrumentalisation of outrage by the White House underlines the EU’s need for new algorithms and increased sovereignty.
Charlie Windle sits down with CUCFS Vice-President Maddie Wills to discuss her motivations for getting involved in the show, her experience organising the committee, and why more people should get involved in Cambridge’s creative scene.
From Uzbekistan to Mexico, over 2,000 student films arrive in Cambridge this March as Watersprite Film Festival transforms Lent term into a celebration of bold, emerging global cinema.
Jezz Brown, Cambridge 2024 HSPS graduate, opens Per Capita Media’s Social Mobility Series with a personal reflection on navigating class at Cambridge – examining the silences, assumptions and inequalities that shape student life, and asking why conversations about class remain so difficult.
Madeleine Wills explores how Cambridge's access and outreach efforts shape opportunities for state-schooled and working-class students, highlighting both the transformative potential of targeted support and the persistent gaps that still prevent many applicants from seeing Cambridge as a realistic and inclusive option.
'The struggle of getting in and the challenge of getting on'. Keane Handley explores class, sport and social location in Cambridge - and why access does not always mean opportunity.
Concluding our Social Mobility Series, Jezz Brown draws on findings from the Per Capita Media Class Survey to explore how class and socioeconomic background continue to shape life at Cambridge.
Daisy Mellor reflects on a gripping ADC Theatre revival of A Streetcar Named Desire, praising its commanding performances, atmospheric design and haunting emotional intensity.
Charlie Windle examines the ongoing debate over repatriation, questioning why isntitutions like the British Museum continue to resist returning cultural artefacts such as the Parthenon Sculptures. While Cambridge's Museum of Archaeology and Anthropology reports no disputes or refusals, the British Museum clings to outdated laws and colonial justification. Windle argues that for true cultural understanding, these treasures ought to be returned to their rightful homes.
Charlie Windle reviews the bold and provocative West End revival of Evita, directed by Jamie Lloyd. The production redefines the classic – “bold, fitting, and utterly in tune with the musical’s heart”
Daisy Cox recounts her intriguing and remarkable experience reading 'In Cold Blood' by Truman Capote, the “inventor” of the modern non-fiction novel and New Journalism.
Kaima Ikeotuonye reviews an ADC Theatre production of 'A Comedy of Errors', a delightfully absurd show with an energetic soundtrack and vibrant cast who
Senan McSweeney-Davis argues that Cambridge's new writing scene thrives on experimentation and collaboration, transforming solitary ideas into collaborative, relevant performances shaped by experimentation, feedback
Daniel Roper examines the immigration U-turns that define Keir Starmers' government, arguing that his government's repeated U-turns and adoption of tougher rhetoric have failed to counter Nigel Farage and the populist right.
Haris Khan argues that through Niko Omilana's YouTube videos amid anti-immigration protests, claims of tolerance collapse into evidence of a racism epidemic no longer whispered, but aired publicly and comfortably on Britain's streets.
BREAKING NEWS: Cambridge Union Debates Officer, Pollyanna Greene-Wright, resigns 1 week after being barred from Presidential-run, confirmed by the Cambridge Union.
Exclusive: Per Capita Media reveals how CUCA Chairman's unilateral speaker invitation of Tom Rowsell, issued without committee knowledge, has sparked tensions over governance and acceptable debate at Cambridge.
“This was never about lawful protest”, the University claims. But, the University and Colleges Union (UCU) have warned that it is a “worsening crackdown” on Free Speech.
Gender-critical author, Helen Joyce, spoke at Balliol College on Valentines day in Oxford, prompting a student protest and walk out. Joyce spoke at an event organised by convener of the Balliol Philosophy Society, John Maier.
OfS warning comes as new student loan repayment data highlights large gap in repayment between larger and smaller academic institutions and is driving further scrutiny into so-called 'Mickey Mouse' degrees.
BREAKING NEWS: Cambridge Union Debates Officer, Pollyanna Greene-Wright, resigns 1 week after being barred from Presidential-run, confirmed by the Cambridge Union.
Exclusive: Per Capita Media reveals how CUCA Chairman's unilateral speaker invitation of Tom Rowsell, issued without committee knowledge, has sparked tensions over governance and acceptable debate at Cambridge.
“This was never about lawful protest”, the University claims. But, the University and Colleges Union (UCU) have warned that it is a “worsening crackdown” on Free Speech.
Gender-critical author, Helen Joyce, spoke at Balliol College on Valentines day in Oxford, prompting a student protest and walk out. Joyce spoke at an event organised by convener of the Balliol Philosophy Society, John Maier.
OfS warning comes as new student loan repayment data highlights large gap in repayment between larger and smaller academic institutions and is driving further scrutiny into so-called 'Mickey Mouse' degrees.
A new report published jointly by three Cambridge initiatives argues that the unregulated use of Generative AI will not guarantee economic growth and risks damaging the UK’s thriving creative sector, as the UK government closes a consultation today (25/02) into plans for the future of copyright and AI.
Aidain Clair considers why political leaders remain unprepared for the exponential rise of Artificial Intelligence, and what happens when technology begins to outpace the
As spaceflight becomes more commonplace within government and commercial enterprises, Farrah Bacon explores argues that there is increasing need to advance medical knowledge.
“Beneath its glossy interior lies a more troubling reality in Higher Education”, argues Jabir Dhalla, exploring freelance, contract-based work in academia.
“Society is governed by mindless consumerism and pleasure seeking”. Akshay Suglani argues 1932 novel “Brave New World” is a troubling blueprint for today’s society.
In conversation with Lucy Farmer, director Clementine Rice reflects on crossing from student theatre to the professional stage - and why bold, female-led storytelling still drives her ambition.
The monopolisation of ‘faster and bigger’ in our economic thought is detrimental, writes Ishtarth Katageri. In Bhutan, we can learn how happiness and economic growth can occur cohesively.
Famil Ismailov, in a talk for Per Capita hosted in Gonville & Caius College, highlights the challenges of preserving Freedom of Press in a time of Warfare.
After the once cult favoured brand, Victoria’s Secret, faced backlash over its rebranding, Rhiannon Hardy explores why an authentic brand identity is more important now than ever.
Eddy Kanu shares his fashion week gems, from Thom Browne to Robert Wun, highlighting the limitless nature of a designer's craftsmanship and creative output.
‘Why don’t you do it?’ You're like the most fashionable person we know?", recollects Mehdi Alhoussawi, as he begins his own creative journey as founder of MEDEAN.
Per Capita's UAL Editor-in-Chief, Rhiannon Scannell, sits down with designer of Es Devlin's monograph, Daniel Devlin, to discuss the impact of genre-defying British contemporary artist and designer Es Devlin.
“Balenciaga's use of AI is subtle, and not noticeable unless pointed out”, writes Jaydyn Ajadi & Suchir Salhan, as the Fashion Industry navigates “deep uncertainty” according to a latest industry report.
“Before Palace Callas I was a modelling and travelling to different places, but I didn’t like being bossed around, being told “do this do that” especially with my body”, says Alyx Karlier to Per Capita's Jasmine Hodgkins.