Follies Marks a Triumphant Musical Return to Robinson’s Brickhouse Theatre
Olive Gibbon reviews Dhyan Ruparel’s ambitious Follies, where brilliant choreography and haunting performances make ageing, regret and nostalgia painfully tangible.
“I Am Not Interested in Heroes and Villains”: An Interview with Dhyan Ruparel on Medea
Stepping off a 2026 street buzzing with political protests and into the crumbling, timeless world of Dhyan Ruparel’s Medea is a jarring, necessary collision of eras.
by 
Olive Gibbon
Olive Gibbon 
A World That Doesn’t Welcome You: Inside Dhyan Ruparel’s Dazzling Medea
We already know how the bloodshed ends—the fiery, fatal conclusion is spelled out for us in projections before a single word is even spoken. Yet, Dhyan Ruparel’s devastatingly urgent new production of Medea refuses to let us look away. Reclaimed by a brilliant BME cast and creative team, this untethered, 2,456-year-old tragedy is transformed into a fiercely modern exploration of exile, immigrant guilt, and the agonizing space between fate and choice.
by Zoë Green
Zoë Green 
The Wind in the Willows breathes new life into exam term
Professional-level physical comedy, a minimalist set, and a magnificent live band make the ADC's latest trip to the riverbank an absolute must-see.
by Teagan Rice
Teagan Rice 
The Orphan of Zhao: A Review by Zoë Green
Zoë Green reviews the ADC Theatre’s visually striking production of The Orphan of Zhao, where atmospheric staging and committed performances bring an ancient story of loyalty and sacrifice to life.
by Zoë Green
Zoë Green