The Boy and Heron (2023): a dazzling autobiographical lesson in grief
Solomon Clarke discusses themes of generational trauma, introspection and liminality in Hayao Miyazaki’s latest and supposedly final film.
The Holdovers (2023): A Slice-of-Life Story that Entertains and Tears Up in Equal Measure
“So beautifully sad, so very, very beautifully sad”, says Daisy Cox about “The Holdovers”, the 2023 slice-of-life coming-of-age film that entertains and tears up its audience in equal measure.
by 
Daisy Cox
Daisy Cox 
“NAPOLEON”: drowned by careless decision-making
Sparks of Ridley Scott's storytelling ability in Napoleon (2023) are ultimately drowned by careless decision-making and thoughtlessness, argues Solomon Clarke.
A Definitive List of Winter TV for People With Some Standards
With this term drawing to a close and Christmas fast approaching, Lydia Broadley shares her Winter Film recommendations.
Saltburn: A Masterpiece Held Back By Its Class Politics
Daisy Cox reviews Saltburn, the 2023 thriller set to the background of extreme academic and societal privilege.
by Daisy Cox
Daisy Cox